FROM CHAPTER ONE: Love It or Leave It
June 15, 1974
A sleeping bag, one small suitcase, and two boxes of books. A road atlas and a cloth shoulder bag large enough to hold a wallet, my hairbrush, a letter or two. Everything else—except the latest boyfriend—behind me. Or so I thought.
I pointed by ’68 VW Bug west toward the Rosebud Indian Reservation where Eric was waiting for me. I wasn't an anthropologist or journalist, a social worker, government employee, or missionary, just a twenty-one-year-old trailing a rebellious white boy, my excuse to get far away from my parents and their vision of the young lawyer or businessman I’d marry someday. Some years later, Eric would graduate from law school with honors to become an attorney specializing in Indian law—not the kind of lawyer they had wished for.
Now that I had my college degree, my father wanted to send me to secretarial school. It was the only occupation he could imagine for an unmarried woman other than nursing or teaching. He knew my history of fainting at the sight of blood—a reflex I inherited from him—so nurse was unthinkable, and I had no interest in becoming a teacher. You’d make an excellent secretary. He’d said that more than once. I'd known and admired several of the executive secretaries who'd served him over the years—capable women who could have had much different lives if given the chance. After earning a degree from all-female Smith College, I had no desire to imitate the design of their lives. Rather, I heralded the accomplishments and independence of Smith alumnae like Gloria Steinem, the artistry of Sylvia Plath.
There would be no Katie Gibbs secretarial school for me.
I was crossing the prairie, headed for an Indian reservation, traveling to a state I could barely place on a map six months ago. South Dakota. I liked the exotic sound, its texture on my tongue...
“There are stories that take seven years to tell. There are other stories that take you all your life.”
-- Diane Glancy, The West Pole
Waking Up In Paradise is not just a personal memoir given its important historical context and my young narrator’s reflections on having unwittingly landed there. How I struggled to belong that first summer as one of the only white people around… how the daily life and awe-inspiring ceremonies of this legendary Lakota family provided love and healing while forcing me to confront astounding poverty and my nation’s ugly, genocidal history… and how I processed the persistent, often violent, government supported harassment of the Crow Dogs and the AIM camp at Paradise and eventually took defiant action myself… those experiences and themes propel the narrative forward in this character-rich story. Well-grounded historical facts woven in at important moments lend weight to that tapestry.
While I cannot claim Indigenous ancestry, what I offer readers, specifically non-Native readers, is the story of an outsider like them—a beneficiary of what Native historian Nick Estes and others describe as “settler colonialism”—waking up first-hand to its enduring consequences for Indigenous communities.
My decision to publish this story has not come easily. The misrepresentation and exploitation of Indigenous traditions by non-Indians are serious concerns that have plagued Native peoples and communities for generations. Examples of such cultural appropriation are plentiful in all forms of media and ubiquitous, though largely unacknowledged, in place names, fashion, even the auto industry. If anything, this story—rife with examples of ignorance and clumsiness on the narrator’s part—holds up a mirror to white America in a way that I believe only a white person can do.


These first four awards recognized excerpts from an earlier draft of Waking Up In Paradise or a related essay:
2018: Finalist in Nonfiction, Tucson Festival of Books, Tucson, AZ
2016: Finalist in Nonfiction, Top of the Mountain Award, Northern Colorado Writers, Ft. Collins, CO
2015: Finalist in Creative Nonfiction, Writers at Work, Salt Lake City, UT
1992: Summer Fishtrap Fellowship, Enterprise, OR www.fishtrap.org
1977: B.K. Roy Prize for best essay, University of Wisconsin-Madison Dept. of South Asian Studies
1974: Dean's List, Smith College
1973: Citation for Academic Excellence, Dartmouth College (I attended Dartmouth my junior year on the Twelve-College Exchange)
2016: Artist Residency, Kimmel Harding Nelson Center for the Arts, Nebraska City, NE
2016: Pentaculum Writing Residency, Arrowmont School of Arts and Crafts, Gatlinburg, TN
Smith Alumnae Quarterly, Fall 2015: "Words with Friends,"
The Aspen Institute blog, 2014-2015, various posts. See aspeninstitute.org
The Aspen Idea, Summer 2014, Aspen Writers' Foundation Uses Poetry Slam to Empower Kids, see page 67
The Sopris Sun, Carbondale’s nonprofit newspaper, June 13 and June 20, 2013, "A Ditch Runs Through It," two-part series on potential impacts of oil and gas development on water in the Thompson Divide. Also a variety of other articles and theater reviews, 2013-2016: See soprissun.com (search on "Dills")
In Defense of Che Wana, 1985, self-published booklet on contemporary Indian fishing rights struggles along the Columbia River in Oregon and Washington.
Featured interview on the monthly show and podcast, Shifting Gears, on KDNK Community Radio, September 1, 2025,
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